Following news of a breakthrough in the mechanisms behind hair greying, Cosmetics Business rounds up its edit of anti-greying active ingredients Grey hair is a hallmark of ageing, but one that is increasingly being embraced. Recent years have witnessed stars like Andie MacDowell and Sarah Jessica Parker celebrating the changing colour of their hair. Meanwhile, brands developed specifically for the needs of silver strands, like White Hot Hair, Arey and Silvina London are attracting attention. In November, for example, Arey closed a funding round of US$4.15m – more than double that of its original $2m target. But what causes hair to go grey? New research from NYU Grossman School of Medicine, published in the journal Nature on 19 April, suggests the process is linked to ‘stuck’ stem cells. The study looked at melanocyte stem cells, found in the skin of mice but also humans. Hair colour, the scientists said, is controlled by whether non-functional but continually multiplying pools of these stem cells within hair follicles get the signal to become mature cells which make the protein pigments responsible for colour. The study showed that melanocyte stem cells are remarkably plastic; this means that during normal hair growth, such cells continually move back and forth on the maturity axis as they transit between compartments of the developing hair follicle. It is inside these compartments where the cells are exposed to different levels of maturity-influencing protein signals. The research team found that the cells transform between their most primitive stem state and the next stage of their maturation (the transit-amplifying state) depending on their location. As hair ages, sheds and repeatedly grows back, increasing numbers of melanocyte stem cells get stuck in the stem cell compartment called the hair follicle bulge. They remain in the hair follicle bulge, do not mature into the transit-amplifying state and do not travel back to their original location in the germ compartment, where Wnt proteins (signalling molecules) would have encouraged them to regenerate into pigment cells. “Our study adds to our basic understanding of how melanocyte stem cells work to colour hair,” said the study’s lead investigator, Qi Sun, a postdoctoral fellow at NYU Langone Health. “The newfound mechanisms raise the possibility that the same fixed positioning of melanocyte stem cells may exist in humans. “If so, it presents a potential pathway for reversing or preventing the greying of human hair by helping jammed cells to move again between developing hair follicle compartments.” Such plasticity is not present in other self-regenerating stem cells, such as those making up the hair follicle itself. This, said the researchers, helps explain, in part, why hair can keep growing even while its pigmentation fails. The study also found that stuck melanocyte stem cells ceased their regenerative behaviour as they were no longer exposed to much Wnt signalling. In contrast, melanocyte stem cells that continued to move back and forth between the follicle bulge and hair germ retained their ability to regenerate as melanocyte stem cells, mature into melanocytes and produce pigment over the entire study period of two years. “It is the loss of chameleon-like function in melanocyte stem cells that may be responsible for greying and loss of hair colour,” said study senior investigator Mayumi Ito, a professor in the Ronald O. Perelman Department of Dermatology and Department of Cell Biology at NYU Langone Health. “These findings suggest that melanocyte stem cell motility and reversible differentiation are key to keeping hair healthy and coloured,” said Ito. In good news for those consumers not ready to embrace their greys, the team plans to investigate means of restoring the motility of melanocyte stem cells, or of physically moving them back to their germ compartment, where they can produce pigment. from Cosmetics Business
2/27/2023 What's that on your head...How Wigs are MadeThere are lots of reasons people wear wigs. Some wear wigs due to illness, baldness or as part of their religion. Some like to experiment with new styles or colours. Some wear wigs as part of their job - like actors, judges or even clowns. We know why wigs are worn, but few know how they’re manufactured. Read on to find out how wigs are made. A wig – short for periwig – an old English word for the long, often curly, flowing headpieces worn mainly by men in the seventeenth and eighteenth centuries – is a head covering made of real or artificial hair. They have been worn in one form or another for thousands of years. How wigs are made today differs unrecognisably from wigs made at the dawn of recorded history. Here, you’ll find the answer to the question: how are wigs made? A Short History of Wigs Wigs have been worn since times of antiquity, starting perhaps with the Ancient Egyptians who shaved their heads but didn’t want sunburn. The ancient Assyrians, Greeks and Romans also wore wigs, and the quality of one’s wig was a symbol of wealth and status, hence the modern-day term ‘bigwig’. The richest in ancient Egypt even had wigs made from finely-spun silver! It was reported that Julius Caesar wore a wig to hide his baldness and the use of wigs in Ancient Rome was relatively common. With the fall of the Western Roman Empire around 500 AD, the use of wigs declined and they weren’t widely reported again for another thousand years. Come the sixteenth century and the popularity of wigs returned, thanks largely to royalty. Elizabeth I wore a wig, and the wigs of the French and English kings and nobility were extraordinarily ornate, not to mention very heavy. When considering how wigs were manufactured in the nineteenth century, they required an incredibly complex process of manufacture, meaning they remained available only to the wealthiest in society. Indeed, it wasn’t until the 20th century, in the 1960s, when synthetic wigs became available that they were worn more widely as general fashion items. Today, wig making is a multi-billion pound global industry and here, we’ll answer the question ‘how are wigs made?’ Types of Wigs There are lots of different types of wigs and they can broadly be broken down into four main categories. Monofilament – these wigs are light and durable and they replicate the natural way the hair moves from the scalp. Lace-Front – lace-front wigs are incredibly natural looking and create the illusion of a perfectly natural, albeit hand-constructed, hairline. Hand-Tied – hand-tied wigs can either be synthetic wigs or custom human hair wigs and each hair is sewn to the mesh by hand. They are versatile and very light. Wefted or Open-Cap – This type of wig is usually synthetic and the most affordable. They are perfectly suited to the occasional wearer but aren’t very versatile. Synthetic Synthetic wigs are constructed from man-made fibres such as polyester, nylon or acrylic and they are treated through a number of complex chemical processes to ensure they have the look and feel of natural human hair. The benefits of synthetic wigs is that they come in virtually any colour shade, they retain their style easily and are bought off-the-shelf so they are cheaper than custom human hair wigs. The downsides are that there is little versatility, i.e. you can’t go from straight to curly using the same wig and often can’t be heat-treated. Custom Human Hair Wigs These wigs use human hair with an invisible hairline so they are as realistic-looking as natural hair. They are much easier to customise than a synthetic wig and can withstand treatments from blow dryers, straighteners or curling tongs. They also last much longer than synthetic wigs but are invariably more expensive. How Wigs are Manufactured The process of how custom wigs are made and how synthetic wigs are manufactured is virtually identical and both methods are specialised and complex. First, a master wig maker will measure the client’s head. Then, using a simple method of cellophane and masking tape, they will make a cast of the head that sits on a head-shaped block of wood or canvas. The outline of the cast is drawn onto the block, which is then covered with a fine silk mesh held on with pins. This preparation ensures the final product (which can cost many thousands of pounds for the best quality wigs) is a perfect fit. Preparing the Hair This is the most important aspect in the process of how wigs are made. In consultation with the client, the wig maker will choose the hair to be used and ensure it is all facing in the same direction from the root to the tip, ensuring the cuticles are all intact. Once the wig maker has the hair they need, it’s bound together in bundles and run through a hackle – a kind of upturned comb with very long, pointed needles – to remove short hairs. It’s at this point that the hair is closely inspected for nits. If any are found, the hair is boiled in a solution of acetic acid and combed through with a nit comb, the same way your parents did when there was a nit outbreak at school. The answer to the question ‘how do they make wigs’ is now starting to come together. For synthetic hair wigs, the length of hair is chosen by the client and it goes through the same binding and hackling process as natural hair. Sorting the Style After the hackling, the hair is washed and disinfected and then rinsed through a number of times to remove all shampoo and disinfectant residue. It is then either left to dry naturally or in an oven at around 80°C – 100°C. Some wig makers will hackle the hair again at this point and it’s now that the hair is curled, waved, coloured or styled to the client’s wish. The Knotting How are wigs manufactured? This is now the most important and time consuming element of the whole process. It’s called knotting. The wig maker uses a needle to attach the hair to the base and a professionally-made, full wig from an expert requires up to 40,000 individual knots, all done meticulously by hand. When the wig is complete, a last row of knotting is done to finish the edges and the inside of the wig is treated with a hot iron press to secure each knot in place to prevent any from falling out. Now you know how wigs are made but a more important question for the client is how long does it take to make a wig? Wigs at the affordable end of the scale can take as little as a month, but for the finest quality wigs from the best wig makers in the world, a wait of six months to a year is not unheard of. from Discovery UK 12/28/2021 0 Comments The Biology of Hair AgingIndustry experts share insight into why hair changes as we age—and how to combat those unwelcome outcomes. The passing of time brings about many physical changes, and hair isn’t exempt from its effects. As we mature, tress texture, color, volume and shine tend to shift and fade—but those transformations needn’t be traumatic. Hair color, quantity and quality can be preserved by taking certain styling steps while following basic healthy-living tips. Our experts weigh in on the biology of hair aging. Cause and Effect “There are three main reasons for why hair aging occurs,” says Kenneth Vigue, Redavid director of marketing and education. The first and most common encompasses internal factors, including genes, diet and medication. Menopause is a contributor to women’s hair transformation starting in their forties, as the sex hormones that stimulate follicle-fiber growth tend to dwindle. Over time, fibers become thinner, often falling out and no longer regenerating. “Family history can’t be altered, and genetics also play a role when it comes to pigment,” says Cherry Petenbrink, CLICS creative director and Olivia Garden artistic director. “If one or both parents turned gray early in life, chances are you’ll follow that same pattern.” The second cause consists of environmental factors, including exposure to chemicals, pollution, salt and sun. “People with active lifestyles often find themselves in environments that promote hair aging, particularly come summer,” says Vigue. “That ranges from the photoaging effects and molecular breakdown caused by excessive UV damage to salt and chlorine buildup.” Finally, mechanical factors play their part in the tress-aging process. “Years of wear and tear caused by thermal tools like blowdryers and styling irons, in addition to the overuse of chemicals found in straightening treatments or perms, can lead to less youthful-looking hair,” says Petenbrink. Signs of Aging Strands Graying Whether you were in your twenties or forties when you spotted your first gray strand, loss of saturation is an inevitable fact of life. Melanocyte cells that infuse hair with color eventually stop producing pigment. Stress on the sympathetic nervous system, poor nutrition and a deficit of essential vitamins and minerals can all hasten this process, but the bottom line is melanin doesn’t generate forever. Most studies agree on the rule of fifties: Half the population will have fifty percent gray hair by age fifty. Thinning/Texture “Hair gets thinner as you get older, and its texture can also change,” says Sonya Dove, Wella Professionals global artist. That’s because shorter follicle life cycles stop replacing old strands with new ones as people hit their forties and fifties. Thinning patterns vary, with men experiencing more male-pattern baldness around hairlines and crowns, and women tending to see uniform loss around the scalp. Fiber diameters also alter, growing larger for the first few decades before steadily decreasing in size, which can lead to loss of volume or even a change in existing curl patterns. Dryness Excessive oil production may be a marker of puberty, but when most of us hit middle age, both skin and hair begin to tend toward dryness. This is due to shifting hormones that slow down sebum production. Natural oils keep strands looking smooth, which means loss of moisture may result in the unwanted appearance of flyaways and frizz. Combating Hair Aging Luckily, there are solutions to the hair-aging problem. “I like to start my graying clients with a demipermanent hair color,” says Petenbrink. “That covers fifty percent or less and blends fifty percent and higher without changing hair’s structure.” Scalp health is an essential prerequisite to shiny, voluminous-looking tresses, so opt for products containing ingredients that increase blood flow while nixing impurities. “Cedarwood oil boasts those qualities naturally, and is phenomenal for cleansing scalps and hair so they can thrive and breathe,” says Vigue. “Certain oils, including orchid oil, can also smooth down cuticles to infuse luster and tame flyaways.” And while it may be easier said than done, making healthy lifestyle choices can help hair—and bodies—look and feel their best. “Attempt to keep stress to a minimum and eat a good diet rich in protein, iron, vitamins and minerals,” says Dove. Cheers to many years of youthful-looking strands. From BLP
Haircolor myths: They can twist client understanding and even trip up colorists from time to time. And while the advent of the Internet can be seen as a force for good—it can, after all, help quell client curiosity about hair dye as well as provide infinite inspiration—it can also spew misinformation unchecked. “[Clients’] belief in a myth may create false expectations about their color service leading to dissatisfaction with their results,” warns Joanne Rempel, Eufora color development manager. Your job: Disprove myths delicately. “It’s important to educate clients on the facts, but do so in a professional manner in a way that they’ll understand. Sometimes stylists overcomplicate matters for clients,” explains Amy Spencer, Malibu C artistic team member and educator. Beauty Launchpad asked three top color pros to dismantle dye lies so that you can help spread hair hue truth simply. Myth #1: Sub-Scalp Bleaching Your client swears that her previous stylist’s highlights lasted longer than yours because he placed lightener in the hair follicle. “This is definitely untrue. Lightener only works on the exposed hair. Some stylists could definitely get foils closer to the scalp than others, but any highlights are definitely on the outside of the scalp,” Rempel says. Carefully clarify that lightener is unable to penetrate into the hair follicle, and therefore can’t lighten hair developing in the follicle. Rempel advises explaining to clients the benefits of taking smaller sections and a finer weave to allow you to get closer to the scalp area and, if correcting a fellow colorist on this myth, advising her on how she can improve her foil work. Myth #2: The 24-Hour Post-Color Wash Rule We’ve all heard it: Don’t wash your hair for 24 hours after a color service. Otherwise, as the tall tale goes, you’ll strip away some of the vibrant color. “The truth is you can wash your hair after the color is processed and it won’t be harmed,” shares Sonya Dove, Wella Professionals global creative artist and Ulta ProTeam member, adding, “Now, shampooing too often can certainly strip the oils from hair, so be aware!” She notes that haircolor technology advancements make this old wives’ tale simply that: a myth worth debunking. “I always suggest clients take home color care products to enhance their color and stop it from eventually fading,” Dove says. Myth #3: Bleach Drives Direct Dyes Deeper into Hair This myth has long been held by stylists, but Spencer believes there’s no time like the present to debunk it as it affects proper formulation for corrective color. “Lightener and direct dye have the same charge, so when you use a traditional lightener on direct dye, it has a similar reaction as putting two ends of a magnet together. They repel each other, causing the dye to spread out,” she says. In order to hammer the idea home, she recommends showing colorists how lightener and direct dye work via visuals, like a photo or video. Myth #4: Haircolor Causes Irrevocable Damage “Damage is a harsh word,” Spencer says. While she admits haircolor does cause oxidization—and over-oxidization can damage hair—current technologies allow colorists to safely add color, shine and dimension sans harm. To better ensure hair integrity, Spencer suggests proper prep pre-color to help decrease stress on hair, as well as using bond builders to rebuild disulfide bonds during processing. “I like to educate clients on the science behind it without getting too technical,” she says. Spencer also recommends posting before and after visuals of color to show how color services can actually condition, gloss and leave strands stronger as a way to help demystify this myth. Myth #5: Henna-Colored Hair Can’t Be Lightened The pros differ on their assessment of this myth, though they do agree that Henna-colored hair can be lightened to some degree. First, have a thorough consultation with your client, asking about frequency of use and whether the Henna includes mineral salts in the formulation. “Not all Henna is created equal,” Rempel warns. She notes that quality and ingredients in Henna formulation differ, and that the mineral salts found in many Henna brands make total removal difficult and, in some cases, impossible. Rempel refuses to remove Henna with mineral salts as the chemical reaction with color or lightener can cause severe damage to hair. “I tell clients the truth as I know it. If they insist on wanting something done, I just say no and tell them to find another stylist,” Dove agrees. Spencer, on the other hand, has found success removing Henna after prepping the hair with Malibu C Color Disruptor and CPR, and even teaches a class devoted to this subject. However, all pros do concur on this integral step: They insist that Henna removal shouldn’t be attempted without a test strand first. “The telltale signs of mineral salts may be heating of the hair strand, smoking and damage or breakage,” says Rempel. Whatever you decide, make sure to have clients sign a release form in advance, and explain the risk involved with removal. Myth #6: Haircolor Responds Better to Dry Hair Wet, damp or dry hair: Which is best for haircolor application? It largely depends on what the manufacturer directions say, Dove concedes. “Each brand varies—even the product lines within a brand vary!” she stresses. Dove offers this example: “At Wella, Color Touch demipermanent needs to be put on clean, damp hair because the dampness helps porosity and how the formula absorbs. Yet for Koleston Perfect, Wella recommends applying on dry hair due to the technology in the formula.” Also consider damp versus wet hair. “There is a big difference between wet and damp hair when it comes to haircolor,” Rempel explains. “Damp hair (70- to 80-percent dry) is fine to color over; however, if there’s significant water in the hair, it will need to be displaced with color to achieve your desired results, and therefore slows down the process. The cuticle layer is generally more closed off when hair is wet.” She notes that as a general rule, direct dyes require application on dry hair for the color to last. The lesson in this myth: When in doubt, check the manufacturer instructions. Myth #7: Hair Should Be Dirty—Not Clean—Before Coloring How many times has a client shown up with greasy strands to her color appointment? Don’t blame her; she has definitely fallen victim to the “Don’t wash your hair prior to a haircolor appointment; a little dirt and product helps the process” myth. Wrong! “Not sure this was ever true; however, certainly today, this is an urban myth,” Rempel declares. In order to better maintain hair’s health and integrity, modern haircolor formulas feature lower percentages of alkalizer, which functions to open the hair cuticle, she explains. With less blasting open of the cuticle, anything coating the hair—say, dirt or product buildup—is counterintuitive to the process of absorbing haircolor. Therefore, clean—or ever-so-slightly soiled—hair ensures color can more easily penetrate the hair shaft without having to work through layers of grime and product. So let your clients know: No more greasy strands! Myth #8: Baking Soda Removes Haircolor While baking soda can remove color, it doesn’t mean clients should use it. “Baking soda is an abrasive cleanser and can be used on stovetops and countertops, but should not be used on the hair and scalp,” Rempel emphatically clarifies. Spencer reasons that the pH of baking soda is high, so it would likely ruin hair. “At-home remedies scare me,” she sighs, adding, “They haven’t been tested!” Rempel agrees, “We must caution ourselves about believing myths and urban legends about things like baking soda, lemon juice and other at-home remedies as being ‘better’ (i.e. more clean) for the hair. They may be more damaging to the hair because they’re not buffered. Hair-coloring agents, albeit chemical, contain buffering agents that do the job of protecting the hair strand. I like to leave baking soda and vinegar to the homemade volcano science project!” From BeautyLaunchPad
12/8/2021 How Much Money Is Your Hair Worth?Cutting off your hair might mean a bold new look, but it’s also a chance to make some quick cash. You can generally sell your long (or short) locs for anywhere from $100 to $1000, as human hair is a hot commodity for high-quality wigs, weaves, and extensions, but before you grab some scissors you might want to know how much you can get for your lovely mane. Here’s how to price your hair and see if it’s worth the big chop. Your hair care type and routine matters Different hair types are worth different amounts. Thicker hair is easier to make into a wig, so it has an advantage; also rare colors like red are harder to come by and pull a larger price tag due to the limited supply. Longer hair earns more cash as well. “Buyers want thick, healthy, ‘virgin’ hair that is 10 inches long or longer,” says the personal finance site The Balance Everyday. “Virgin” hair refers to hair that has not been altered with chemicals like dyes, perms, or bleaching, and has no heat damage. Even damage from excessive washing can dull the color and weaken the strength of hair. Unfortunately, there are some discriminatory market trends to expect as well. Curly or tightly-coiled hair (often represented in hair from Black and Brown people) is more difficult to sell. According to Beauty Mag, curly and coiled hair is “less flexible,” which is why some vendors don’t request or carry it. With the growing acceptance and popularity of natural hair, though, curly hair is rising in demand. How much is your hair worth? Finding out exactly how much your hair is worth can be done quickly and from the comfort of your home. Beauty Mag offers an easy-to-use calculator. The first thing you’ll see at the top of the site is a box with four sections: hair length, thickness, color, and an option for virgin or not virgin. The first two boxes are sliding scales for you to raise or lower to match your hair. You’ll need a ruler to measure your hair’s length, and you’ll measure your hair’s thickness based on the root of your ponytail. My hair, which is about seven inches long, three inches thick, and virgin, is calculated to be worth $102.90. How to find a buyer Selling your hair online might sound sketchy, but a Google search will actually reveal several legitimate buyers. The lifestyle blog Work at Home Adventures suggests “17 Places to Sell Your Hair,” including eBay and Craigslist; other sites like Hair Sellon, Just Sell My Hair, and Online Hair Affair allow you to make an account, submit pictures of the hair on your head, and set a price. With any online sales, though, make sure you keep an eye out for scams. from Lifehacker
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