The two principal methods of hair transplant are Follicular Unit Transplant (FUT)/strip and Follicular Unit Excision (FUE) – also known as Follicular Unit Extraction. Both are effective hair restoration techniques, with a high success rate. So what is the difference between them? This post explains…
What is the difference between FUE and FUT hair transplants?
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It can be alarming to look at your comb or at the shower drain and see a clump of hair. Not only could it clog your drain, but you may worry that it’s a sign of serious hair loss. But chances are what you’re seeing isn’t anything to be concerned about, and if you want to be sure, there are easy ways to check for abnormal hair loss at home.
The average person loses somewhere between 50 and 100 strands of hair per day, according to the American Academy of Dermatology. Yes, that’s a lot, so don’t panic if you see a few strands in your bathroom. Hair shedding versus hair loss And while we’re on the topic, there is a difference between hair loss and hair shedding. The AAD notes that hair shedding—or temporarily losing a little more hair than usual—is completely normal, and usually occurs after a major life stressor or body change, like losing 20 lbs. or more, giving birth, having a high fever, going off birth control pills, or caregiving for a loved one. Excessive hair shedding usually lasts for six to nine months, and then your hair growth and loss returns to normal. Hair loss, on the other hand, is when something happens that actually stops your hair from growing, the AAD explains. Examples of this include hereditary hair loss, losing hair because of a medication like chemotherapy, using harsh hair care products, or having a compulsion to pull out your own hair. In these cases, the hair will not regrow until the cause stops—though that’s not possible in every case (like if genetics are to blame). If you have questions about the difference between hair shedding and hair loss, it may be a good idea to talk to your doctor. That said, if you want to test your own rate of hair loss, here are two ways to check: Pull test For a simple at-home test, Dr. James C. Marotta suggests you take about 60 hairs between your fingers and pull a little bit as you run your fingers through your hair. It’s normal to see five to eight hairs in your hand. If you have 15 to 20 hairs, though, you could be losing more hair than normal. Marotta explains:
Comb test Here’s another test to try: before shampooing, comb from the back of the top of your head forward to the front of the scalp for one minute. Do this while leaning over a lightly colored bed sheet, then count the hairs on the sheet. According to a study published in the Journal of the American Medical Association: Dermatology, you should see about 10 hairs. Of course, there are a few caveats for both of these methods, including that these numbers are approximate and may differ between people with different types of hair. Also, we tend to lose more hair as we age, which again, is normal. But the general idea is to know what’s normal for you so you can tell when it has gotten worse. This story was originally published on 11/17/16 and was updated on 8/28/19 to provide more thorough and current information. Every decade has new hairstyles that come into fashion before quickly leaving again. While these hairstyles might once have been the height of style, looking back on them you wonder what the heck everyone was thinking. In the 70’s, men’s hair was getting longer, shaggier, and unrulier.
The shaggification (not a word) of men’s hair really started in the 1960’s. Before then, men’s hair was mostly short and neat. When the 60’s arrived, young people started questioning society’s attitudes on everything, and long hair became a symbol of rebellion. Soon, popular musicians like The Beatles began wearing their hair long, and long hair reigned supreme. You're going to have to click on the article for the full collection of excellent 1970’s male shaggyness. We’ve got flowing locks. Thick mutton chops. And of course plenty of bushy facial hair, too. The 70’s really were the hairiest decade. Enter at your own risk >>> 10/17/2019 0 Comments Hair To Dye For: Radical RedheadsFamous Red, Orange, and Auburn Haired Ladies Flaming hot since 1558! I’m a sorta-redhead. My hair can’t decide whether it wants to be mousy, dishwater blonde or a snappy strawberry (which makes picking out outfits a drag since some colors look good with redheads, but not with blondes and vice versa). My hair’s indecision began when I was just a baby; I have a natural pink mohawk in most of my baby photos thanks to my light strawberry blonde curls piling on top of my ivory skin. My hair turned blonde and straight when I was two, then switched back to curly auburn when I was 16. By junior prom, I was sick of my hair flip-flopping from red-to-blonde-to-brown-to-all-three. L’Oreal Excellence Creme in it’s cute, pink box promised to even out my hair color in just 30 minutes and a shower. Who was I to refuse? Dousing my unruly hair with dye disguised my hair’s spotty nature, and it’s pretty historically accurate at that! Natural redheads are mutants (with recessive variant genes). Our superpowers are sticking out in a crowd and looking awesome. Many have scorned our powers by flogging us with insults (“Gingers have no souls!”) while others have venerated our hair’s glory with paintings, festivals, films, and flattery. If imitation is the highest form of flattery, redheads are the most flattered of all hair colors: Sixty percent of women who dye their hair do so at home. Of them, twenty six percent choose to go blonde, twenty seven percent go brunette, and over thirty percent choose to become redheads! Feel the power! The see-saw between scorn and veneration has been going on since redheads were first documented in Greek writing. Boudica, the warrior queen, is said to have had long red hair that–in addition to her stature–was a terrifying, powerful sight on the battlefield. The idea that redheads have fiery tempers stems not only from the flame coloring, but also from the politically powerful redheaded women like Boudica who were just as powerful and intelligent as men (if not more). This was naturally unnerving to a society in which women were expected to be subservient. Throughout history– even through the 1950s– redheaded ladies have been breaking rules and changing social norms! Queen Elizabeth I Perhaps the most famous redhead in history is England’s Queen Elizabeth I. Born to Hanry VIII’s most notorious wife, Anne Boleyn, Elizabeth inherited her father’s golden-red hair. When she took the throne in 1558 at the age of 25, she brought wit and unprecedented political prowess with her. She refused to marry and actively participated in the jurisdiction of her country. Though she was affectionately called the “virgin Queen,” she is reported to have taken many lovers and favorites throughout her long reign. Beloved by her subjects and lauded for her role in England’s victory over the Spanish Armada, Queen Lizzie changed red hair from a fashion faux pas (blonde was the previous preferred color) into England’s must-have shade. Elizabeth’s striking red hair set off the creamy whiteness of her skin. Light skin was considered to be the most important aspect of beauty and since the recessive gene that creates red hair also causes paler skin and lighter brows, natural redheads in Elizabethan England became suddenly fashionable. Creamy skin and ruby-tinged hair also meshed well with the rich jewel tones and heavy golden ornamentation that prevailed in courtly fashion. Ladies who weren’t in the lucky 4% of the population with the variant gene, there were all sorts of hair treatments: For coloring the hair so that it is golden. Take the exterior shell of a walnut and the bark of the tree itself, and cook them in water, and with this water mix alum and oak apples, and with these mixed things you will smear the head (having first washed it) placing upon the hair leaves and tying them with strings for two days; you will be able to color [the hair]. And comb the head so that whatever adheres to the hair as excess comes off. Then place a coloring which is made from oriental crocus, dragon’s blood, and henna (whose larger part has been mixed with a decoction of brazilwood ) and thus let the woman remain for three days, and on the fourth day let her be washed with hot water, and never will [this coloring ] be removed easily. I’ve highlighted the word henna because this particular plant was the primary source of red hair colorant since the age of the Pharaohs! Henna is mostly famous as a skin pigment, but this semi-arid shrub also works as a semi-permanent hair dye and was the most popular way to get red hair until synthetic dyes were invented in the late 1800s. Queen Elizabeth herself dyed her hair as she aged and her hair became white. The auburn-red of her earlier portraits fades into a light pinkish-orange since henna is a naturally orange dye that only reddens the base color. If the base color is a brown, it tints it red. If the hair is blonde, henna creates a golden strawberry. By the end of her reign, Queen Elizabeth’s hair was fine and white, so the true color of the henna is revealed in her portraits. The Pre-Raphealites Red hair gained popularity again in the mid-1800s, culminating with the Pre-Raphealites and their beautiful models like Fanny Cornforth, Alexa Wilding, and Elizabeth Siddal: ladies with deep burgundy and ginger-flamed hair. The Pre-Raphealite Brotherhood, a group of artists, began in 1848 and lasted for an all-to-brief decade. Their influence on artistic style and fashion was much longer lived. The mauves, greens, and blues of dreamy pre-raphealite paintings were perfectly suited to complement cascading red hair. Paired with swaths of roses and loosely draped gowns, pre-raphealite paintings recreated classical Greek, Medieval, and folk fashions with a heavy dose of dreamy fantasy quite unlike the rigid world of corsets and hoopskirts in the 1850s and 1860s. There was plenty of controversy surrounding these sensual models, especially considering that many were mistresses of the painters themselves! These ladies appear unfettered by any social, sexual, or fashion restraints in their pictures: clinging silks drenched in rain hug every curve, a corsetless waist is girdled softly with gold, and hair flies around their shoulders freely. Though the fashions might be too much for the everyday Victorian lady, glowing crimson locks were well within the average woman’s reach. The red-haired beauties filling the canvases inspired women to once again run to their nearest druggist for the reddening power of henna dye. Lucille Ball No list of spunky, game-changing redheads would be complete with Ms. Lucy! The saucy sit-com queen is famous for her brilliant red mound of spunky curls. From 1951 to 1960, Lucille Ball entertained the world on her TV shows I Love Lucy and The Lucy-Desi Comedy Hour. Though these are her most famous accomplishments, Lucille’s resume includes much more, including modeling, a brief stint as a Broadway chorus girl, and acting work in films alongside the Three Stooges, Ginger Rogers, and Katherine Hepburn. She’s known for being outspoken and participated in a few small tiffs with social norms, most famously her marriage and divorce to Desi Arnaz. Ball met and eloped with the Cuban bandleader in 1940. Lucy was 6 years older than Desi, sparking a little social friction since some people thought an older woman marrying a younger man was improper. During her first pregnancy, Lucille continued to film I Love Lucy even though she was showing, but the broadcasting company forbade any mention of Lucille’s “condition” on-air. Lucille’s and Desi’s first child, Lucie Désirée Arnaz, was born when Lucille was almost 40 years old! Lucille’s second pregnancy, however, is the one she is most famous for. TV in the 1950s was heavily censored and everything that went on air had to be approved by a committee. This time around, Lucille’s real-life pregnancy was worked into I Love Lucy’s plot. In a magnificent segment, she appears on camera, glowing, to surprise Ricky with the news. It was a huge moment in television history. Even though much of her film and TV work was done in black and white, Lucille Ball’s hair was a key part to her personality and characters. In fact, we associate the color red with her so much, it’s hard to recognize her with any other haircolor: Here’s a bit of a surprise: Lucille Ball was not a redhead. Lucille Ball was actually a natural brunette/dark blonde, but she dyed her hair using that fabulous plant dye, henna. As her fame grew, so did the demand for red hair dyes, driving the sale of natural henna color through the roof. The queen of mid-century comedy continued to dye her hair throughout her life, maintaining the titian tint that came to define her.
Today, most hair dyes are synthetic and can be done at any hair salon, or at home with a box kit. The coloring agents come in liquids, foams, brushes, and sprays in every color under the sun! With all these magic concoctions so readily available and inexpensive, it’s hard to imagine that such a seemingly innocuous thing like dying your hair for prom or using a color rinse shampoo before a date could have such a huge impact on fashion and society. What if Elizabeth had been raven-haired? What if Pre-Raphealite painters preferred blondes? What if Lucille had never dyed her hair that brilliant orange-red? Knowing that so much of who you are as a person can be linked to something as simple as hair color makes me wonder: What’s my “true” color? Hairstylists are so much more than just “that person who cuts my hair.” Case in point: that time you used your appointment as your personal therapy session and vented about your roommate issues for the entire duration of your cut (no judgment). In the end, we want to make our hairstylists happy, because they, in turn, make us very, very happy.
But beyond standard tipping rules, there’s a lot of gray area—which is exactly why we asked four celeb hairstylists all the questions you might feel too awkward to ask your own. Hairstylists Anh Co Tran, Tanya Abriol, Nick Stenson, and Matthew Monzon give us the scoop on what you should really do if you’re running late or unsatisfied with your cut, how much to tip your hairdresser, and more. Keep scrolling to read their perspective. How late is too late for a client to show up to their hair appointment? Tran: Typically, 15 minutes is too late because we work in 15-minute intervals here at the salon. If a client shows up super late, it causes me to run late the rest of my day. Abrio: Showing up 15 minutes late really is the limit, taking in consideration that typically each service takes an hour. Consulting what you want to change about your look, getting washed, and settled in takes another 15 minutes… At that point, it has run into 30 minutes of your appointment time. Stenson: If a client is over 30 minutes late, it’s hard to keep the client experience at an acceptable level, so it’s best that the appointment is rescheduled. A long delay makes things worse for each customer who follows, and that’s not fair to your clients who arrive on time. Monzon: If you’re running 15 to 20 minutes late for your hair appointment, you should really call the salon and let them know. It’s a courtesy that really helps all people involved: the stylist, the receptionist, the next client, and yourself. What should a client do if they’re running late? When should they call? Tran: If a client is running late, call ASAP. It gives us time to adjust our day accordingly. Abrio: If a client is running late, they should call at least 30 minutes before their appointment time. Stylists will, at that point, need to adjust the rest of their day so clients after them aren’t waiting. Stenson: Clients should give the salon a courtesy call and be given the option of rescheduling, based on the how late they expect to be. Monzon: If you’re running late for your appointment and you know you’re going to be later than 20 minutes, don’t always expect your stylist or the receptionist to be able to sort it out. If you’re running more than 30 minutes late, you should plan on either rescheduling your appointment or know that you may have to wait some time. Know that your hairdresser wants to make you happy and help make you beautiful. But by being late, you’re cutting into everybody else’s time. Chattiness: yay or nay? Tran: Chatty or not chatty, it doesn’t matter. It’s part of our job to connect with the client and vibe off of them. I’m happy either way! Abrio: If a client isn’t chatty, it doesn’t bother me, although I really do love getting to know about a client. Everyone is different. Stenson: It’s a personal preference, but I don’t mind it. I’m a people person, and I enjoy chatty clients. I especially enjoy when clients are interested in making sure to take the best precautions to take care of their hair and ask me for recommendations. Right now I’m loving Matrix Biolage ExquisiteOil Protective Treatment. It provides a lightweight replenishment and is great for all hair types. I recommend it to all of my clients! Monzon: The salon experience is different for everybody. Some prefer to just take the time for themselves and not chat; some may want to chat about the latest gossip. The most important thing is to start a conversation with your stylist about the service that you want done with your hair. Bring pictures and references to show what is inspiring you so that you and your stylist are clear on what the finished result should be. That should always be the first conversation. How much is too much when it comes to sharing things from a client’s personal life? Tran: It’s up to the client what they choose to talk about. I just try to stay respectful and listen. I don’t like to get into an in-depth conversation with clients. Abrio: When clients share personal situations in their lives, I really think they’re aware of what boundaries have been set. I’ve had clients share the most intimate things, and I’ve had to dismiss a client because they shared too much and were just way too inappropriate. Stenson: Listening is part of the business of a hairdresser. We expect to know things about our clients, and frankly, we’re here to listen. Monzon: Depending on your relationship with your stylist, it can be a bit awkward when you share intimate or personal information. As relationships continue and you get to know someone better, maybe then a bit more information is acceptable. But if you think it may be a bit too risqué or politically charged, it probably is. Is texting during a hair appointment okay? Tran: I personally don’t mind texting! Abrio: Being on the phone texting during an appointment is such a common thing now. I think if you’re in the middle of a conversation, it’s rude, but if it’s not affecting the stylist and their work, it’s fine. Stenson: If the client is the one texting, my policy is that it’s his/her time to do with what they will—as long as it doesn’t interfere with the cutting/styling process. Monzon: Texting and cell phone usage have changed the way hairdressers work. Timing is important. For example, if you’re getting color applied, most likely it’s fine. If you're getting a sharp, one-length haircut where the balance is important, it’s definitely not a good time to be chatting or texting. But being in the salon, you should use the time to unplug, relax, and enjoy the experience of being taken care of. What about talking on the phone? Tran: It’s not okay. It gets in the way almost 100% of the time. Abrio: Talking on the phone for a long period of time while having your hair done is definitely not okay. If it’s a quick chat, no big deal, but being on the phone really changes the dynamic. Stenson: Talking on the phone makes it difficult for a hairdresser to work and is very rude. The stylist and client need to have a mutual respect. Monzon: If you’re expecting an important call, it would be okay—just ask your stylist on how they feel about it first. How much would you expect a satisfied client to tip? Tran: Twenty percent. Abrio: Tips are a funny thing. I personally always tip according to my experience. I hate the percentage rule. It’s a good guideline, but a tip is a gift, and it’s such a personal situation. Stenson: Clients who are satisfied generally tip 20% or more. Monzon: When it comes to tipping, 15% to 20% should be the standard practice. Should clients tip your assistants? How much? Tran: Absolutely. My assistants work very hard to keep my day running smoothly and help the client have a satisfactory experience at the salon. Anywhere from $10 to $40. Abrio: Assistants should always be tipped! I think they are too often looked over, but the same rule applies if they give you a great shampoo. Tip them! When I was an assistant, I would get anything from $5 to $100 in tips, but again, it’s a personal situation. Stenson: One should always tip someone for providing a service. That amount should be left up to the client. Monzon: When it comes to the assistants, know that these people are training to become better and more knowledgeable hairdressers. They’re living on the tips that they’re making. When someone knows how to rinse all that color out of your hair and gives you an amazing shampoo and scalp massage, all while keeping you dry, that’s when you can decide how much it’s worth. I know many clients think of the shampoo and scalp massage as their favorite part of the salon experience. Should a client still tip if they are unsatisfied? How much? Tran: No, I don’t expect that. Abrio: If a client is still unhappy after I’ve tried fixing their haircut, I wouldn’t expect them to tip. I would expect little or no tip until you redeem yourself the next time. Stenson: I don’t think anyone should have to pay for a service they’re unhappy with. A hairdresser should make things right and try his/her best to make a client happy. Monzon: A tip is something that isn’t expected. I think a tip is something to show the appreciation for the time and execution of the service provided. And if the client is unhappy with the service, don’t leave a tip. What should a client do if they’re unhappy with their cut or style? Tran: It differs from person to person and how big of a change they’re making, but telling me immediately so I can fix the problem is usually best. Abrio: If a client is unhappy with their service, they should definitely speak up. Even if a client calls up two weeks later, they should feel comfortable calling and speaking up. Trust me, we’d rather make you happy than lose you as a client… most of the time. Stenson: If clients aren’t happy, I’d advise them to speak up immediately so the issue can be resolved. Clients should never leave the salon unhappy. Monzon: A client being unhappy is an unfortunate situation; this is why references and inspiration pictures are important. Also, being upfront about the past history of your hair is very, very important, especially when it comes to chemical services. If a client has come back to the salon to fix a haircut or color they were unsatisfied with, should they still tip? Tran: Only if they’re satisfied! Abrio: No, they shouldn’t be expected to tip. They already paid you for a service that wasn’t to their satisfaction. Please note: Watch out for people who try to get out of paying for anything by saying they aren’t happy with their service. There’s a difference. Stenson: Again, I’d encourage a client to stay until he/she is happy the first visit. If it’s a return visit, tipping is again a personal preference based on the circumstances. It’s always appreciated but not expected. Monzon: If a client wants to change their long hair to a more modern length and then decides two days later they don’t like it, I think expecting any sort of compensation or refund would be completely inappropriate. But if they’re returning to fix or modify a haircut and the outcome is positive, I think the tip is at the client’s discretion. This essential salon etiquette is brought to you from Byrdie |
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